The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.
–Maya Angelou
So, how do you make a little black girl believe that all she has gone through does not determine her ability to take flight? How do you “teach” her that her wings are beautiful and that the risk of flying is a marvelous growth enriching endeavor? How do you make her see that her cadged song and flight will one day inspire others to freedom? How do you “teach” a black girl to fly?
You see, it’s not an easy endeavor because so many things seek to clip their wings, silence their voice, and keep them cadged. It takes a special kind of spiritual intervention to release little black birds. It is not a task for the faint of heart or for those who benevolently (i.e. good white women) “swoop” in to save de Negro children from the pathology of their colored communities. Hmmmm . . . it is a task well suited for wise black women like Baby Suggs in Beloved who said, “Yonder they do not love your flesh. They despise it . . . No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. 
Love your hands . . . You got to love it,” and Minnie Ransom in The Salt Eaters who said, “Are you sure, sweetheart, that you want to be well? Just so’s you’re sure, sweetheart, and ready to be healed, cause wholeness is no trifling matter. A lot of weight when you’re well,” and my 8th grade colored school teacher, Mrs. LaVern Colvin, who said, “Now listen here, Fallon, if you do not know by now how much I love you . . . you will never know, dearie.”
I read the New York Times article titled “
“She has 80 names, 30 addresses, 12 Social Security cards and is collecting veteran’s benefits on four non-existing deceased husband. She’s got Medicaid, getting food-stamps, and she is collecting welfare under each of her names.”
Today the Princess and the Frog opens across the nation. Of course, I’m going to go see the movie, however like most cynics I wrote a blog about the movie before it premiered approximately two months ago to be exact. So, if my argument is proven wrong by actually seeing the film, I will write another blog saying I was wrong. However, I do not think this will be the case. Also, I hope bloggers, writers, teachers, critics, etc. are equally critical of this movie as they were of the movie, Precious.
?” Wow. My first immediate response is, “Did I say anything negative about the black man?” No. My second response is, “Did I even use the male pronoun in any part of my statement?” No. So, how is it that you, Mr. Beans and Rice eating barefoot and pregnant needy black man, are offended, wounded, and betrayed by my acknowledgement of black women’s stories? You see, Beyonce calls it your big ego. I simply refer to it as your broke-down Napoleonic black male privilege having @$s. I know the tone of this blog seems reminiscent of Erykah Badu’s Tyrone and Beyonce’s Irreplaceable, but my intent is not to lyrically serenade you with all the ills black men have visited upon black women, but to say that I am sick and I am tired of the, “I am black man and the world is on my shoulder boo who who” whine every time I mention anything about black women.
eHarmony, does she look back to see her best friends staring at her in utter disbelief? No. As she breaks the sound barrier itself with her rampant flight after a man who claims to love her after only knowing her a week, does she wonder if her best girlfriends who she has known since high school’s English 101 will be there waiting when she falls from the blissful skies of love? No. No because she is 
Purple, “Sat in dat jail . . . sat in dat jail,” from being at the intersection of being black and woman who’s going to climb underneath that bed and cry with her or at least climb underneath the bed and tell her that she can as Maya Angelou wrote, rise? And if you’re thinking it will be that man of hers who she has 
