Last week, Erica Jong wrote the most random “book review” (or something) I have ever read in my life. In her Huffington Post blog, Jong, apparently charged with discussing Kitty Kelley’s recently published unauthorized biography of Oprah Winfrey, essentially writes about knowing both Winfrey and Kelley, and admits that she hasn’t actually finished the text in question. (Note to self: Figure out how to get a gig like Erica Jong.) In this latest version of “I knew [insert famous person] when…,” Jong had the following observation about the divine Ms. O: Read more »
Archive for the ‘Oprah Winfrey’ Category
Negro Is, Negro Ain’t: On Erica Jong’s Version of Oprah
Women’s Her-story Month: Why Not Sex Workers (Sofia Maldonado’s Mural)?
There is a “moral panic” that Keysha Whitaker highlights in “Latin Female Artist draws criticism for Times Square Mural” brewing on the streets of Times Square where Sofia Maldonado, a young Puerto Rican-Cuban woman, is under fire for creating a mural that for many embodies the sins of rap videos . . . big booty black women . . . exotic looking Latina women . . . crouch mesmerizing poses . . . and at the end of the day “un-respectable” images of black and brown women. One incensed passerby said the mural harkens back to a time when 42th Street was a “red light” district . . . a place where prostitution . . . drugs . . . and un-catholic like debauchery reign supreme. People are mad not ordinary mad, but “witch-hunt” mad. Men of color are mad not ordinary mad, but I need to protect “my woman” mad. But the question is: why? Why are they mad? Why are they Mad Men?
And all that I can think of to answer this question is that these images are not “respectable” images. They do not paint black and brown women are Supreme Court Judges—Sonia Sotomayor—or as First Ladies—Michelle Obama—or as multi-billionaires—Oprah—or as activist— Linda Chavez-Thompson—or as writers—Sandra Cisneros. Nope . . . as one mural viewer said, “They look like prostitutes.” And in response to this I say [silent drum roll], why not sex workers? Why not a mural honoring sex workers during Women’s Her-story Month? Of course, this is not to say that the mural showcase sex workers, but the way in which people are talking about the images of the mural gives substance to the claim that people see the images as such.
And the Winner Is?
It’s only March, but Mo’Nique is indeed the frontrunner for the Best Year Ever Award. In a little less than a week, the self-proclaimed queen of comedy and Golden Globe (and Screen Actors Guild) Award winner, will probably win an Oscar for her work in Precious, despite her reluctance to “campaign” for the little gold statue.
Talk about a come up. Read more »
Lost in Translation: A Response to ‘Precious’

Oprah Winfrey and Tyler Perry said Precious was awesome and that everyone should go see it. Since I am the most obedient of Negroes, I saw it last Friday. If Flavor Flav is the world’s greatest hype man, this duo is officially the world’s greatest hype machine. I found Precious slightly underwhelming, uninspiring, and lacking much of what makes the novel, Push by Sapphire, so powerful. Sorry, Ms. Winfrey. I had no “A-ha!” moment. Read more »



?” Wow. My first immediate response is, “Did I say anything negative about the black man?” No. My second response is, “Did I even use the male pronoun in any part of my statement?” No. So, how is it that you, Mr. Beans and Rice eating barefoot and pregnant needy black man, are offended, wounded, and betrayed by my acknowledgement of black women’s stories? You see, Beyonce calls it your big ego. I simply refer to it as your broke-down Napoleonic black male privilege having @$s. I know the tone of this blog seems reminiscent of Erykah Badu’s Tyrone and Beyonce’s Irreplaceable, but my intent is not to lyrically serenade you with all the ills black men have visited upon black women, but to say that I am sick and I am tired of the, “I am black man and the world is on my shoulder boo who who” whine every time I mention anything about black women.