*Spoiler Alert* On Friday, Dee Rees’ much lauded independent film, Pariah will expand its release from four theaters to eleven, increasing the opportunity for many to view this incredibly important Focus Features release. Rees’ debut work has deservedly generated a deluge of critical praise, and should at the very least garner a few nominations come award [...]
People really just don’t like Drake. And by that I mean the very idea of Drake. But like it or not, he’s about to go to the next level. I’d put money on it. And here’s why…
Only Black people understand the true power of the word nigger. Does that mean only Black people can say it? Is it EVER ok for white people to say it? Sound off below!
Nas’ music video for “Nasty” is a statement about what really matters: family, community, humility and respect. The money? ….A welcome bonus. Check out Nas’ “Nasty” music video at BlackYouthProject.com!
Everyone is entitled to their opinion regarding which emcee they believe to be the greatest rapper of all time. Mine is Jay-Z. Yours might be 2pac. But is it OK for it to be Eminem?
But don’t be fooled. Their success is organic and real; not some record label’s scheme. The rise of artists like Odd Future and Kreayshawn (as well as Lil B and Waka Flocka Flame) is subversive to Hip Hop’s status quo.
If you ask me, this needs to happen. Just compare the aesthetic of Watch The Throne with the sound of Tha Carter IV. It’s opulence vs. simplicity. Grand statements vs. stream-of-conscience flow. The seasoned veteran vs. the ambitious youngster. A Young Money vs. Roc Nation battle would perfectly capture a growing generational gap within the Hip Hop community.
It seems I’ve been more polemical than usual these last few weeks. So how about something completely worthless and asinine–ok, more worthless and asinine than what I usually post here–this Monday? Because, frankly, all I have to say about The Help‘s (and The Smurfs’) continued box office success this weekend is: Effing really‽‽ (God bless the interrobang.) Anyway, in case [...]
Thursday is not a cash grab or some collection of b-sides, and it never feels forced. The Weeknd’s second album is a fully-formed album, thoroughly conceived and well-executed. And considering the fact that it’s being released less than a year after its predecessor, and it’s still really good, I’d say Thursday is a more-than-worthy follow-up.
Pariah’s Pariah: A Review, a Critique
*Spoiler Alert* On Friday, Dee Rees’ much lauded independent film, Pariah will expand its release from four theaters to eleven, increasing the opportunity for many to view this incredibly important Focus Features release. Rees’ debut work has deservedly generated a deluge of critical praise, and should at the very least garner a few nominations come award [...]
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